Same Director -> J.J Abrams - specialises/style ->lens flares
Sequels -> continue narrative -> characters - consequences and cause and effect
All reboots -> remade -> new storyline and character cast -> reimagined the original
All directed towards a male audience -> old and new fans
Hollywood/franchise (products) -> recycling old ideas -> running out of original ideas
A pre-existing loyal fan based = money
Conclusion
Hollywood has no new ideas, but instead recycles existing films and ideas. They know this way that they will make money and a profit, they will attract the old audience and the new generation. Ideas and films have to be rebooted due to internet piracy.
Creative artefact 9 key frames; actors, costume, lighting shot on a stills camera. Write a script for a disruption or resolution scene, a sequel, prequel or reboot as the films you have studied. Must explore your MACRO conclusion based on your comparison of your two films.
V for Vendetta conforms to the male gaze more so than Children of men. We see this in the first opening scene of V, watching Evie as the voyeur which is an aspect of the male gaze, she also is nearly raped. This portrays her as weak and vulnerable. In the opening scene of Children of Men it is not clear who is male or female due to matter of costume. None of the women are sexualised due to the costume.
Once again, V for Vendetta conforms to the male gaze with the scene with the Pope. We see Evie over sexualised, dressed as a young girl. The pope also expects to sleep with her which shows her as sex object. Evie is also viewed as a sex object as the pope almost rapes her. We see that she has no say here and this is only prevented due to v (a man) saving her. This portrays Evie through the male gaze, as a stereotypical vulnerable and sexualised woman
Where as in Children of Men, Kee is not sexualised. She stands in the barn naked. This is where Theo finds out that she is pregnant. Stereotypically, a woman in this position would be shot in a sexualised manner, however, here Kee is not. Therefore in this scene, children of men does not conform to the male gaze. Although Kee says that she is scared and wants help, making her more vulnerable, she still is not portrayed in a sexualised way, but more a sacred way.
Father & Mother Figures:
Symbolic use of father and mother figures. V could take on the father / mother figure etc > symbolic birth
Whereas Children of Men takes on actual father and mother figures > natural birth
Oedipal Complex
Absence of father and mother figures
Women naturally becoming the nuturer; CoM > Kee, Jullian and the hippy all becoming a natural nuturer. This is not enforced as strongly in V for Vendetta. This is because there is an absence of mother and fathers in CoM due to infertility
Mothers represent peace and love. An absence of this results in a masculine, violent dominated society
Yonic and Phallic:
Phallic imagery; the knives that V uses in V for Vendetta = penetrates / CoM; army/military = masculine
Yonic imagery; V for Vendetta; roses / train / underground tube / bullet wound / fireworks / explosions CoM; tunnels
Rebirthing = V for Vendetta = must act passively = is a female trait
Hyper-masculinity:
V for Vendetta:
easily identified
Supernatural
Male dominated Hollywood
Hero = enhanced masculinity to become believable
Subverts stereotypical Hollywood aspects of hyper masculinity > not to trust the government but to fend for yourself
Children of Men:
Hyper-masculinity > army etc
The one with the most power = a child
Men have become hyper-masculine as women have become redundant of power, cannot reproduce a population = no passivity = hyper-masculinity = shows that women do actually have power, which is to give life which is stronger than hyper-masculinity, however this is lost therefore hyper-masculinity overrides this.
The films are very focused on gender, however V for Vendetta focuses on symbolic representation of gender, subverting the stereotypical representations of gender in typical Hollywood films. Whereas Children of Men focuses on literal representation
An independent film is more likely to subvert typical character types like the role of women etc. Whereas in a Hollywood film the representation aspect is more likely to adapt to character types and the typical representations of genders for example.
Reinforce or challenge?
Male gaze
Hyper masculinity: fast and furious: reinforcing
Captain America: challenge
Phallic imagery / yonic imagery: fast and furious; reinforcing phallic imagery
Women as mothers (naturally nurturing):we need to talk about Kevin; challenge
The Tarantino films, Django Unchained (2012) and Inglorious Basterds (2009) are similar and recognisable through terms of the themes and style that the films tackle. Both films are based around a historical event or situation. Due to being independent, the themes and style that they tackle subvert and challenge a mainstream film culture, often resulting with the oppressed protagonist, becoming the oppressor; questioning the dominant historical narrative, offering a new perspective and subverting the dominant views.
V is subverting character driven pyschological motivation : is he a freedom fighter or seeking revenge?
Would you ever find a stereotypical hero in reality. V is complicating this aspect to draw attention to what is going on in our world. If you see the world in a simplicistic way you will be deceived. The film is therefore a warning.
V = good and bad
Children of Men's use of character motivation is more prominent. The world is infertile and Kee is pregnant this drives Theo's motivation as he was a father who lost his child
No clear stock characters who is right and wrong. We are locked in constant war due to the world being infertile. This therefore means that stock characters are more complication in children of men.
Children of Men = dystopian = survival of the fittest. For example, when Sid sees the baby he changes and wants to use the baby against the government.
The hero could be Theo however he does not hold the stereotypical conventions of a hero but is portrayed as a normal citizen.
In v for vendetta this could be V or Evie
The villain could be the army or the oppressive fascist totalitarian government
This is more clear in V for Vendetta, as it is the government/ sutler
The dispatcher; invites the hero to eliminate evil; Julian. Before meeting her again he is a normal passerby. Kee could also be seen as the dispatcher as her pregnancy gives Theo the reason.
In V for Vendetta this could be Evie at the beginning before nearly being raped.
The Helper; who helps the hero fight against evil. Jasper, Julian or the ginger woman.
In v for vendetta this is Evie, before she reaches her character development.
The Princess; rescued from evil; Kee as she needs help and protecting throughout the film
Evie needs saving at the beginning of the film.
The Donor; offers help to the hero. This could be jasper as he gives Theo a car an sacrifices himself
V for vendetta; this could be v's concentration camp for Evie as it teaches her to reach her character development or Diestrich.
Children of Men and V for Vendetta are similar in terms of their narrative as they both subvert the stereotypical conventions of a classic Hollywood narrative. One of the conventions of a classic Hollywood narrative is cause and effect. This is subverted in Children of Men, which in my opinion moves furthest away from a classic Hollywood narrative, in comparison to V for Vendetta. Children of Men manipulates the use a cause and effect as we do not ever find out why Kee is pregnant. The fact that Kee is pregnant, is what drives the narrative, and that we never find out why or in other words, the cause of this; therefore manipulates the stereotypes of this aspect of cause and effect. This may have been used in this film to create the theme of realism, moreover, this conveys the messages of the film; that this could happen to humanity, and that hope is a fundamental aspect in all societies for them to keep on surviving.
V for Vendetta however, conveys the cause and effect of the film more clearly. This can be seen through the dominoes fall scene. We know that the cause of V's revenge is due to the experimentation he experienced in the concentration camps, and that he was put into this due to deviating against the governments expectations. This motivates V to his revenge, resulting in the bombing of the Old Bailey, and overall, driving the narrative. However, V for Vendetta subverts the cause and effect aspects of a classic Hollywood narrative as it does not portray the cause and effect through a linear structure, but instead jumps back through time to convey this. This may have been done to portray to the audience the effects of the oppression, so that the audience gains a side in the film. This also portrays the message of the film; because the film subverts the stereotypical conventions of a classic Hollywood narrative which tells a story of rebelling against the government, the message of the film is to subvert the oppression that the government has upon you.
In a classic Hollywood narrative, the equilibrium, the beginning, starts with a equal, peaceful state. However, due to both of the films being dystopian, this results in the equilibrium being subverted, that is, not being peaceful or equal at all, but instead, the way the situation and circumstances are, and are accepted as that. For example, in Children of Men, this begins in the coffee shop, the disruption stage is when Kee is discovered pregnant, and the resolution is open ended.
V for Vendetta's equilibrium shows the control of the media and the curfew through London at night, the disruption then comes about with the Old Bailey, the resolution, although still left open ended, comes about with the revolution, blowing up of Parliament and the death of V.
The film Children of Men differs to V for Vendetta as it is unclear who is the good and who is the bad in the conflict and opposition. The film is produced by an independent production company therefore it subverts the typical conventions of a classic Hollywood narrative. This is portrayed through the themes, style and genre. The fact that it is an independent film it effects or has an impact on these MACRO factors. For example, the film brings up challenging ideas about war by not representing the good or the bad, or having it as the main factor in the film, but the theme of fertility is more prominent. The film also incorporates religious themes, for example when Theo, Kee and the baby are walking, the baby is a representation of Jesus, it is a savour that stops the war momentarily. Theo also dies for the baby towards the end of the film, this makes him a matyr.
Visceral: the impact a film has upon it's audience.
Why is this scene important for the themes of the film?
The theme of the film could be oppression, it portrays this as we see the conflict between the two groups, however this stops when they hear the child cry
Unity, peace, rebirth, fear, fascism
Representation of gender, why is this important in the film?
Mainly women trying to look
Theo protecting Kee and the baby, typical male role, a fatherly role
Kee is adopting the typical female maternal role
Macho men become maternal
The baby represents peace, hope and unity
Religious, biblical representation
Hope lies in the new generation
Style; the way it's shot/cinematography
Dim lighting
An independent film is designed to make you think/ make your own interpretation as it subverts a classic Hollywood narrative
War vs peace: contrasts/juxtaposition to draw attention to the differences
If you take away the children, you make women completely redundant, this enforces hyper-masculinity, but is instantly stopped with the child crying. Even the women are made hyper-masculine, for example Julie, who is a terrorist but was a mother, this was taken away from her and was made to lose her femininity and maternity when her child dies.
Tarantino usually reverses th oppressed and the oppressors
Django:
Slave being give. The gun to gold by Schultz
Django hurting slave owner who is injured by horse
Schultz frees remaining slaves
Django and broomhilda only two remaining
Inglorious Basterds:
Shoshanna family murdered, is oppressed as is a Jew and a woman = gets revenge and becomes the oppressor of the oppressed by killing all of the nazis in her theatre
The film Children of Men follows Clive Owen's character Theo. It is set in the near future of 2027; the world is experiencing human extinction as the rest of the remaining population has lost it's ability to reproduce the human race. The film starts to unravel once we, the audience discover that Kee is pregnant. From this point onwards it is Theo's 'mission' to get Kee to the safe place.
The outline of the film highlights the main theme of the film; survival. This is similar to the film V for Vendetta in some ways. Although the film V for Vendetta varies slightly as the theme is not portrayed clearly or obviously based around chaotic, end of the world survival, it still tackles this theme and issue. The totalitarian, fascist government is controlling and oppressing the lives of the public so that they are merely living and surviving. We also know from V's backstory that he, and many other groups that were deviant to the government's ideas, such as homosexuals and muslims, were experimented on in concentration camps. We later find out that the main reason why V wears a mask is because he was burnt by the fire of the concentration camps, however he survived. This results in his revenge against the government.
Another key theme or idea that is relevant within both of the films is the theme of realism. Both of the films are set in a near, foreseeable future, therefore because of this the audience can relate to the film's messages and values more, as these become more prominent rather than being hidden through entertainment aspects. Both tackle issues that could happen or have happened in the past. For example, V for Vendetta tackles the oppressive, controlling fascist government and the use of concentration camps to oppress and control minority groups. This incorporates a level of relatable realism into the film as this is evident in history of Nazi Germany. Therefore the audience understand that this could happen to them, making the film's messages and values more prominent.
Children of Men tackles issues that could happen or have happened, although the human race have not experienced the issue of not being able to reproduce, the riots and chaos that it has caused are evident in all societies. The film is set in England, but for the first half, mainly London, which itself has experienced first hand riots and chaos similar to what is portrayed in the film. Therefore the audience can relate to this.
The two films are also similar through their narrative structure. Both films do not follow a linear structure but jump back and forth through time, this is most likely to portray the extent that the world has come to. Children of Men and V for Vendetta also have unclear protagonists. At first glance, one would believe that in both films the protagonist is the male; Theo in Children of men and V in V for Vendetta. When, in my opinion, it is in fact the female characters who develop to become the protagonist after all, and drive the narrative. For example, if Evey's character did not develop into a stronger woman, or exist at all, the ending or climax of the film would not occur as it is Evey who blows up Parliament once V has died. Similarly in Children of Men, it is Kee that drives the narrative, without her or her pregnancy the world would most likely reach a chaotic end. This therefore brings me to the shared theme of oppression. That the oppressed in both films become uplifted and stronger towards the end of the narrative.
The Oedipal Complex could also be seen through both of the films. Children of Men, as I previously stated, is based during a time when the human race could no longer reproduce, therefore after a generation, there would be a generation who were not mothers and fathers due to this factor. The Oepidal Complex is the idea that one will seek similarities of the parent of the opposite sex through their partner.
In both films, the protagonist seeks a neutral male who does not seem to be on either side of the conflict throughout the film. In my opinion these characters in both films represent the Oedipal Complex. For example, Evey seeks out Dietrich in V for Vendetta. We later find out that Evey's parents were taken away during the night when she was a child. Therefore, I believe that Evey is seeking a father figure through the character of Dietrich. In both of the films, this male provides comfort and is seen as the safe place for the protagonists, however as both of the film's narratives develop, we see both of these 'father figure' males are killed by the oppressive government or opposition, once the protagonists have left. This could portray that this is their role; that they are the father figure to the protagonist and once they have been let go of, their role has been for filled, and therefore he (Dietrich or Jasper in Children of Men) must die, as the role has been lost.
The style of the two films are similar due to the colour and lighting use, this is most likely due to the themes that they tackle. Both of the films incorporate dim lighting and dull colours into the sets. In both films we do not see any signs of nature (except from when we meet with Jasper in Children of Men, which could portray that he is the good in the film. However, we also know that the nature he is emerged with is drug related, therefore this could be a coping mechanism. We also see Dietrich and Evey drinking alcohol, which could also be a coping mechanism.) Because we do not see any signs or nature in either film, it portrays to the audience the idea of the end of the world and that this has come to an end through human infliction, as the technology or human development has taken over and destroyed nature. The only signs of nature that is portrayed through both films is rain which is used as pathetic fallacy; to indicate or foreshadow bad events occurring.
The film of V for Vendetta, subverts many stereotypical aspects of a typical Hollywood film. One of which is the gender roles. The stereotypical gender roles are subverted to portray the message of the film; not to be passive but to be active. At a glance, the film seems to be a sexist one, which disapproves of femininity, however after studying the gender roles portrayed in v, it is clear that the film praises feminine traits. Throughout the film, we clearly see the gender roles of the mother and father, which are portrayed throughout many different characters and develop and change throughout. these can be seen through V, Evie, Sutler and Valerie.
The film uses aspects of psycho-sexual symbols such as phallic, yonic and orgasmic imagery, birthing, hyper-masculation, mother and father figure roles; through nurturing and masculine characteristics, and moreover, the Opedipal Complex.
Psycho-sexual symbolism is portrayed throughout the film. One key scene in the film is the God is in the Rain scene. This scene incorporated many of the aspects that I previously mentioned. The scene begins with Evie walking and V holding onto her to support her, as at this point in the film Evie is still weak and passive; a characteristic femininity. The characters juxtapose one another in terms of their appearance; Evie's head has been shaved from V's mock prison camp, which ultimately takes away her femininity that she holds at the beginning, and also contributes to her losing her fear. This contrasts to V's aesthetic as he wears a mask heavily covered in make up (similar to Evie in the beginning scene of the film) and has long, feminine hair.
The scene heavily incorporates psycho-sexual symbolism. It soon begins to rain, this leads Evie to freely go out and embrace the rain. Not only has her feminine appearance been taken away from her, but the rain also symbolises phallic imagery. Evie then holds up her arms, almost symbolising Jesus on the cross; here she is clearly embracing the rain, symbolising her freedom. This contrasts to how she was portrayed at the beginning, holding her coat wrapped tightly around her as a form of protection, and seeing male protection from her boss, Dietrich. Her character development symbolises her being reborn, therefore backing up my previous point birthing being incorporated into the film
This scene this juxtaposed with V's birthing scene, that we see during the time of the Evie's, using the editing technique of cross-cutting. V's birthing scene juxtaposes Evie's as he is burning in the fire from the experimenting camp. Although, they both form similar stances to one another, it is clear that V is burning within his vengeance for the government, whereas Evie is reviving in her freedom. V is also burning through fire which symbolises the orgasm, contrasting heavily to the element that Evie is embracing. This also portrays the idea of hyper-masculation; the fact that V has not died within this fire portrays him with a masculine superpower.
The scene then cuts to a clip of Evie embracing and accepting the rain even more heavily, this symbolises an orgasm. We see V standing behind her watching, which therefore portrays him as a mother figure type; nurturing her character development, and watching her grow.
The Opedipus Complex is portrayed throughout the film. Later on in the film, we, the audience understand that Evie is a troubled woman; who witnessed her parent's kidnapping when she was younger. The Opedipus Complex is the idea that one will search for similar characteristics of the opposing sex parent, within their partner or companion. In my opinion, this is conveyed through the first scene of the film. We understand that Evie is going to see her boss, Dietrich. At first, one may believe that this is due to sexual persuasion for promotional factors, however once we understand that her boss is actually homosexual, the idea of the Oedipus Complex comes to mind; that instead of sexual interests, Evie was seeking Dietrich as a male father figure. This therefore brings both the Oedipus Complex and father figures.
The idea of a father figure too is portrayed throughout the character of Sutler. When V (who is disguised) is telling a story of how the virus was concurred at the expense of others, including V. Within this scene, V explains that Sutler is an "extremely religious man", meanwhile he is standing in front of a chanting crowd. This scene brings to mind Nazi Germany; during this period, the idea of family was heavily enforced. The that that Sutler is also highly religious also contributes to the idea of family being an important factor. At this point, the public are looking up to Sutler and cheering at him. His hierarchy is portrayed through a low angle shot. His strength, hierarchy and power are all masculine traits that portray him as a public father figure.
Similarly to the idea of a father figure, mother figures are too portrayed throughout the film. This is seen through V, who switches through both mother and father roles in the film. But also, and probably more subtly, Valerie. The scene, Valerie's Letter portrays Valerie's story and provides hope to Evie at her lowest point, this nurtures her in this way, a motherly trait.
A big aspect of psycho-sexual symbolism that occurs throughout the film is yonic imagery, which is often conflicting and challenging phallic imagery.
We see yonic imagery appear throughout the film, this is portrayed through the red rose. A rose is stereotypically used to portray yonic imagery. This is relevant whenever V kills someone. As I previously mentioned, the film's message is to revolt through a passive way; a feminine trait is to be passive, which links to the placement of the roses.
Yonic imagery is heavily present throughout the ending scene, where Parliament is destroyed. We see yonic imagery through the red roses that are placed on V's chest; this again, symbolises the message of the film, to revolt passively, which again is a female trait. The fact that the roses are placed around V, portrays him as a symbol of passive revolution. The roses are also placed upon and around him almost to symbolise a halo, portraying that he was the good.
We also see the decline of phallic imagery within this scene. It is located after a heavily phallic induced fight scene, which portrays the loss of phallic imagery within the ending, and the extent and rise of yonic imagery. This is seen when Creedy relaxes and puts down his gun, symbolising the weakened emphasis and control of phallic imagery.
We then see yonic imagery challenge and overpower phallic imagery. The Houses of Parliament; a male dominated democracy is being destroyed by explosions that symbolise yonic imagery and the orgasm. Not only is Parliament mainly male dominated but it also symbolises phallic imagery in appearance. The passive revolution (because no one is hurt) destroys this phallic imagery through orgasmic and yonic imagery, symbolising once again the main message of the film; to overthrow the government passively. Therefore, by doing so, the government has become passive and female.
"He was my father and my mother..." This symbolises coherently to the audience my previous point of gender roles, especially the mother and father parental roles. Within the last few minutes of the film, Evie remembers V by clearly explaining this point. V nurtured, cared and provided for the country, representing both parental roles. "He was you and he was me" meaning that by uniting together, we can all form as one. Within the final scene, the idea of birthing is again brought up. The Houses of Parliament is destroyed, and the public take to the streets, forming together as one body; this therefore symbolises the idea of rebirthing; the public and society will be reborn into a new one.
The film V for Vendetta represents stereotypical gender roles throughout the film, however these are often subverted and distorted to an extent. The film uses this to communicate the messages of the film across to the viewer. One of the main messages of the film is to revolt and take to the streets passively, which is a prominent female trait. The film celebrates the idea of feminine traits, these can be seen throughout the film, through yonic imagery, orgasmic imagery, the positive and praised portrayal of the mother role compared to the destructive role of the father. It can also be seen through the number of birthing or rebirthing scenes in the film.
Thesis: Introduction includes the answer to the question Point: Representation of gender/mother/father Example: Scene and analysis of MICRO/symbol; yonic/phallic/orgasm Analysis: What is being communicated/messages; role of female;passive/fear ; role of male; threat
Valerie; nurtures Evie's character development, at Evie's lowest point she nurtures her.
Sutler; nazi GERMANY; family values. Sutler is the father to Creedy; he kills him to gain control; opedipus complex. The population are female because they are fearful. The fuher ; the fatherland that protects.
Dietrich; her boss; Evie looking towards him as a father figure. Dietrich is emasculated and feminised. When we discover his sexuality
Gender roles are subverted; not to be passive but to be active, portrayed through masculinity; men are active, women are passive
Revolution: guns = phallic
Roses=symbolising yonic imagery/death
Lever; can blow up parliment; phallic imagery results in yonic imagery
Creedy points down his gun; flaccid phallic imagery; surrendering, emasculated
Passive revolution which is a feminine trait; celebrating female virtue.
Yonic and phallic imagery; train in the tunnel; birthing scene; Evie turns into a mother figure, birthing freedom and revolution.
Blowing up Parliment; a male dominant democracy; destroying it with symbolism of yonic orgasms; blowing up big ben; destruction of yonic;
He was my father and my mother; taking on both roles.
Every character who was killed by the government returns at the end.
Opedial Complex; father/mother/nurturer role:V cooking for Evie, looking after her; taking the mother role.
Oedipal Complex; we know that Evie is going to Dietrich (her boss)'s house after curfew, however she almost gets raped; looking for a father figure
Opedial Complex; Evie's parents get kidnapped
Psycho-sexual aspects; phallic and yonic; men act, women appear; birth/procreation; hyper-masculinity: Evie and V's juxtaposition rebirthing scene; God is in the rain; phallic and yonic imagery; V emasculated with his vengeance, Evie revived and enjoying her freedom.
Hyper-masculinity: Evie gets her head shaved; de-feminised, becomes more masculine with her characteristics
-Hyper-masculinity -Phallic and yonic imagery
Phallic imagery; the hammer in Thor; standing upright, if laying down = flaccid
A rose is a yonic symbol; significant in V for Vendetta, V uses them when he kills people. V was birthed out of hate; he was experimented on due to going against the norms; hated; muslim, disagreed with the government, homosexual, diseased/disabled, not white; he had revenge upon these people.
-Mother/father/birth/procreation/nurturer V is birthed out of hate.
-Oedipal Complex
The idea of looking towards your mother or father figure in your partner -Men act / women appear; voyeurism, women to be looked at
Current;y, men can appear and women can act for the female point of view.
Introduction
Throughout the film V for Vendetta, there are many messages that are portrayed through the use of many different themes. The main themes that come to mind when we discuss the film of V for Vendetta are; Religion, a Totalitarian government that controls it's people, oppression, revolution and vengeance. All of the above themes incorporate the messages and beliefs of the film, for example, the theme of revolution and vengeance conveys to the audience to stand up against a Totalitarian, controlling and oppressive government, to use your own voice rather than being oppressed by the control of the government.
Religion
The theme of religion is conveyed throughout many different aspects of the film. One of which is during the scene with the Bishop and Evie. The Bishop, a symbol of the Church and religion as a whole, is a known pedophile. This is fed and covered up by the government. Incorporating the idea of a corrupt government. Therefore the message of not trusting your corrupt government is portrayed through the theme of religion. The fact that V stops anything from proceeding with the Bishop and Evie portrays to the audience that within this society it is still obviously view as wrong, even though it is hidden by the government.
As we understand from previous aspects of the film, the government is corruptly religious; we can see this through the modified symbol of the cross that the government use as their logo. The fact that the Bishop is a pedophile and this is hidden by the corrupt government conveys a message of the film; that the public should not trust their government due to their fear.
When we, the audience first meet Chancellor Sutler, he is projected on a largely dominating screen, where several of his men sit below, watching him demand. The projection of Sutler is central within the shot and takes up the majority of the screen, when the men speak to him, a high angle shot is used to portray Sutler's heirarchy. However, it is also possible that the director wanted to incorporate a subtle hint at the theme of religion. As Sutler is central, taking up the majority of the shot and looking down upon the men, he could be seen as a God like figure. We also see if a flashback scene that he is worshiped on also like a God. As Sutler is the man in power he has been presented as a God-like figure, who uses his power like a corrupt relgion, oppressing and discriminating those who go against what he prescieves to be societies norms.
Oppression
This brings me onto the next theme that is presented in V for Vendetta. This is the theme of oppression, which conveys the message of the film; warning you that if you do not use your voice as revolt, this could happen to you. From the very beginning of the film, we see Prothero speaking via the media in both Evie and V's rooms. Not only does his convey the importance and control that the media has over the people, but he also states 'homosexuals' and 'Muslims' as 'Godlessness'. This links to my previous point about the corruption of religion and the depth of oppression. This segregation and discrimination between groups is similar to what has happened during history before, for example Nazi Germany, this subtly conveys to the audience that this depth of oppression is actually possible.
We later understand why V wants revenge against the current government. We see that he, as well as Valerie and many other "outcasts" we're put into concentration camps for testing, these people were put into these camps due to their sexuality and/or religion. This links greatly to Nazi Germany, again conveying that this can and hashappened and could happen to you. It therefore incorporates an element of realism into the films message.
We also see the oppression inflicted on by the government within the beginning of the film. We are shown speakers which explain that there is a curfew, and that all members of the public must be indoors now. This portrays that people have lost their freedom of speech and free will. This curfew and control is not portrayed as a positive, 'watching over the people', but instead conveys the negativity of the dystopian government, once again portraying to the audience that the government could happen, and we all must use our voice for this not to occur.
It is not just homosexuals and people from different religious views that are oppressed, but also women. We experience this within the beginning of the film; Evie breaks the curfew and is almost raped by the two corrupt police officers. This portrays how women are deemed as weak and vulnerable in this extremist society. The film does however, turn this idea around as it is Evie who actually bombs Parliment; destroying the symbol of the government; her oppression due to her gender results in her revolting against the system, like V. This portrays the message of the film, that we must take to the streets in order to over throw the controlling government and society that we live in.
Revolution and terrorism
Another theme that is represented in the film is revolution, however this is embedded with the concept of terrorism. Revolution is one of the major themes in the film. We understand that V wants to overthrow the government due to the oppression that he, himself experienced first hand. (V was a victim of testing in a concentration camp due to going against societies norms.) However, the film begins and ends with an explosion of the Old Bailey, and Parliament at the end. One therefore must consider if V is causing a revolution for the good, and debate whether this could be classed as an act of terrorism. This therefore brings us towards another message of the film; that 'one man's terrorist is another man's freedom fighter.' V destroys the Old Bailey at the beginning, this symbolises justice; however within this state there clearly is not equal amounts of justice, hence the concentration camps, and when Provoro speaks via the media in the first scene; describing 'homosexuals' and 'muslims' as 'Godlessness'. Therefore when V destroys the Old Bailey, he too is destroying this corrupt symbol of justice.
At the end of the film, the people take to the streets, symbolising the theme of revolution greatly. Each of these people are masked like V, this could symbolise that each of them hold the same belief and that revolution is an idea. This is a key scene to convey one of the messages of the film, that we must not suffer in silence and be resistant to the oppression and control of a Totalitarian government, but we should take to the streets to cause a revolution in order to change society. At this point of the film, all of the average civillian's have become vigilantes, this is what V signified throughout the film.
V also dies before the bombing of the Houses of Parliament before this he explains that freedom is more important than death, explaining that he is willing to die for freedom. This highlights another key message of the film. The revolution that V causes results in other people's freedom, whether it be free will or freedom of speech.
Totalitarian state and oppression
From the beginning of the film, the audience understands that it is set in a Totalitarian state, and oppression is used to control civilians. We can see this throughout the first scene whether both V and Evie are listening to the media where a man is incorporating propaganda into his speech.
The scene where we, the audience understand V's past portrays the theme of a Totalitarian state and it's effects of oppression. We understand that V and Valerie have been put into a concentration camp run by the government for testing, due to them going against norms that the government praises. Although we do not directly know why V has been placed in this concentration camp, we know that other prisoners such as Valerie have been due to their sexuality or religious beliefs.
Conclusion
Religion, revolution and terrorism and the totalitarian state and oppression are all key themes that are incorporated into the film in order to portray an important message in the film. Within the film V For Vendetta there are many significant messages. One being to subvert the government you are controlled by, this is not only conveyed through the theme of revolution and terrorism but also through the narrative. The film does not conform to a stereotypical Classic Hollywood Narrative, but instead subverts this narrative, this directly portrays to the audience that they too should subvert the society's norms and values that the government inflicts upon them to obey.
Government shouldn't fear people people should fear the government
Take responsibility for themselves
Thousands of people marching in the same mask; the same identity, all have the same idea. Revolution is an idea that can change society.
Terrorism
One man's terrorist is another man's freedom fighter: disobey the rules and norms of society
Blowing up the Old Bailey and Parliment: blowing up the symbol of government and justice.
Totalitarian/Facism
Oppression
Warning if not caring etc, this could happen to you.
Lark hill and Valerie's letter: control / oppression of the totalitarian government / Facism ; gays etc
Bishop and evey: corrupt government controlling and hiding the priest being a paedophile. Religious control; the modified cross etc
Ending revolution: vengeance and revolution ; vigilante.
Evie's torture: anti feminist taking away her identity/ gender. Torture= strength
Districhs secret life: Facism and state control over people against the norm
Religion in V
Government distorts religion for control
Based on religious values they're symbol is an modified cross
Corrupt priest, known peophile covered up by the government
No unity through faith : media says GODLESSNESS
Postcolonialism: academic discipline: response to the human control of a country; controlling another country.
In V England is the only country that is not being destroyed; Facism and nationalism
Imperialist power : not allowing anyone different from the norm in the country
Gender studies:
v male character with female characteristics; make uped mask, long hair, dancing art and flowers, cooking for Evie. Cape unaware to see the shape of his body.
Evie switches roles; feminine traits, dressing up, vulnerable, almost raped When in the concentration camp she has more masculine traits ; does not show her emotions and dresses more masculine. When Evie is in the rain, it resembles V coming out of the fire.
Masks makes everyone gender neutral, protecting V and their own identity
Marxism
Facist dictatorship; control of all aspects of life.
Media is biased; propaganda, government is controlling
Vs message will be conveyed as the media is controlling of the state, therefore everyone will hear and agree
Artwork is banned by the government, people have it hidden. V steals and hides art from the government
Sutler: voyuerism controlling the public, seeing hat everyone is doing etc.
curfew : government is scared of the
situation in England. Th control of the government over the people in England.
The role of vigilantes, government, dictators, murder and discusses the role of rebellion, vigilantes and government.
Point - red
Evidence - green
Explain - blue
Dystopia Koatic near future, undesirable near future; therefore a dystopian film will always be sci fi to an extent. B for Vendetta is set in the near future to impact and effect the audience rather than their Children's futures.
Government control
Technological control; the fear on technology; speakers in V
Social divisions; rich vs poor
Dark cities; global warming, climate changes, etc.
In the dominoes fall scene, juxtaposition and cross cutting. The cross cutting portrays the juxtaposition; for example the dominoes all have a lead on effect on each other, when one falls it has an impact on the next and so on. This portrays what actually happens in the film as when the girl is killed, the man who murdered her is killed and riots are caused.
V starts off the first domino, portraying that he is at the centre of all of this, he created this and is in power and control. Then each of the characters act due to this, this portrays the message and values of the film, that what happens is down to you; you are responsible for what occurs, the dominoes resemble this. The dominos signify a revolution, and revolution only occurs when people act on it. The dominoes symbolise this message in the film.
There are several aspects that are stereotypical of a classic Hollywood narrative. In my opinion, I believe that V for Vendetta does conform to a classic Hollywood narrative to some extent, however it subverts and manipulates this. For example, one of the themes of a classic Hollywood narrative is cause and effect, this is relevant in the film V for Vendetta. The main cause for the film is that V was injured and tested on by the government, this results in V's revenge which is one of the main effects of the film's narrative. Therefore, in this way, the film does conform to a classic Hollywood narrative.
In a classic Hollywood narrative, there is also an aspect of character driven, psychological motivations. This is present in the film V for Vendetta, for example, when V wants satisfaction of vengeance. Because he has been taken advantage of by the government, this is his motivation to the effects of the film, for example, blowing up the Old Bailey, Parliament and overthrowing the government. Another character who incorporates a character driven, psychological motivation into the film is Evie. At the beginning of the film Evie is portrayed as weak, for example when she nearly gets raped by the two policemen. However, other the course of the film, we see Evie's character develop into a strong woman. V helps Evie get rid of her fear and encourage her strength, when he puts her through the torture camp, in his own home. This means that Evie almost has the same psychological motivation as V.
Another theme within a classic Hollywood narrative is opposition and conflict. This is very prominent in the film. There is a lot of opposition and conflict throughout the film, we see this at the beginning of the film, the curfew that the public have to stick by vs. the governments control.
The film undermines the power and authority of a classic Hollywood narrative, symbolising the message of the film; to not conform to the rules of society
A classic Hollywood narrative is a set of rules tht just be followed in order for the film to become a classic Hollywood narrative. These rules aren't followed directly, conveying that we, the audience don't have to follow the rules of society ourselves.
Subvert: undermining the power and authority established system or institution.
Cause and effect
Character driven resolving their problems based on their motivations/desires/emotions
MES creates realism for the story to exist (verisimilitude) genre /believable realism
V for vendetta
Cause and effect: revenge, personal injury caused by the government. In this way, it does conform to a Classic Hollywood Narrative.
Character driven/psychological motivations: V wants the satisfaction of vengeance. Evie becomes stronger throughout the film compared to the beginning; V gets rid of we fear to change her motivation. The characters motivations drive the film, therefore in this aspect the film does conform to a classic Hollywood narrative.
Opposition and conflict: V for Vendetta isn't satisfying the classic Hollywood narrative in a traditional way. Not clear through colours
Creedy kills the dictator, this is unusual for a classic Hollywood film; no defined villain.
When Parliment is blown up the film ends, this signifies that the symbol of government is actually the villain.
There is no bad guy, it is the symbol that is te villiain. It is the idea of the Parliment that is the villain not the actual people. This makes the film NOT conform to a classic Hollywood narrative. The film is based on reality. The film is breaking the typical narrative.
3 act structure:
Equilibrium, distruption, resolution (confrontation). The confrontation is between the people in v's masks and the government. This represents anarchy; wanting to rule themselves. Anarchy vs fascism. It does conform, however it plays around with this not in a stereotypical way.
Positive ending/ closure
Yes but we do not know the actual ending, therefore we do not recieve closure.
Believable realism:
Yes it is realistic, relates to the audience's actual situation
The dark knight
Psychological motivation and opposition and conflict
A stereotypical character who fills a role. They all fit criteria. They fit into the genre
In V for Vendetta the stock characters are complex. Barely any of the characters fit into one catergory. This is because it generates mystery, it makes the audience think and take into account the narrative. This helps to portray the message of the film; to not trust your government etc. This film therefore is more like reality, which relates to the audiences situation more; in reality people do not easily it into these stock character types.
A typical Hollywood film usually will follow the character types exactly
V
black night character: wears a lot of black clothing
The anti hero: one with good intentions but his morals are not right
Lone vigilante
Hero : fighting for justice, willing to sacrifice himself
Tragic hero: having a quality leaving to his downfall, for V this is his revenge
Genre: the style or category of art, music or lit. Conventions in the film. Sci fi. Action film : explosions/fight scenes : slow motion. Thriller: detective. Crime scene: thriller
Style: the particular way in which something to done; manner or way. Comic book style: slow motion etc. action film masked /caped man.
Themes: the ideas that are presented throughout the story/ film narrative
Narrative: the way the story of the film
Voyeurism: the idea of spying on someone. Usually relating to the male gaze.
Describe the example in relation to MES and cinematography:
Genre (MES) : the way it's filmed etc can portray how it fits into a genre etc explosions.
costume; typical black clothing etc, masked
Location/setting: bit city
Lighting: dark/dim lighting portrays the unknown, bright explosions to highlight etc
Colour : dark usually black signifies mystery
Props: red roses, symbolising, mask is never taken off
Casting performance: mysterious, damsel
Blocking: centre of shot -V, lots of close ups
Hair make up : masked, Evie lose her hair at the end
Cinematography
Genre: close ups: intensity. The film is not a typical sci fi film as it does not convey typical sci fi objects like spaceships, because of this the film conveys a sense of realism, which helps to convey the message across that this could happen to you the audience.
Long shots
Blocking
Style :
Dark lighting, shading of the face etc creating suspense and tension = mystery
Low angle shot= power
Themes: irony : background images of government propaganda
Violence/terrorism : explosions and fighting scenes
Symbolism: red flower appears throughout
Revenge
Corruption
Narrative : non linear narrative: flashbacks. Portrays the character, themes and style. Before Evie is almost raped, he is portrayed as dark and mysterious this conveys his character.
Voyeurism: spying cinematography, at beginning we feel like we are spying of Evie and V getting ready etc. links to the cameras in the streets etc. point of view shots
What the characters are doing and why they are doing it.
Characters symbolise.
They are merely a function; they get across the themes in the film
The characters are there to play it out, they are a function of the story they have no choice but to be bad etc
Dystopia set in the future; a bleak near future. A worse case scenario. Opposite to utopia. A dystopian film conveys a warning.
Totalitrianism government is ruled by one man, who is in charge with everything in your life. Extremism. This is seen as a bad thing, however in some perspectives it could be good.
Revolution the replacement of the government. Violence and peaceful protests/taking to the streets can overthrow the government
Conspiracy theories a belief by an individual / group that may be responsible for a particular event. Circulated on the internet explaining that the governments message is untrue. For example, 9/11. Links to the theme of V for Vendetta; you cannot trust your government.
Democracy lets other people have a chance to say what they think. A system of government by the whole population, through representatives. We vote for who we want in power. Can be used to make you think you have control however this is not usually the case.
Fascism a dictator / party. Nationalism is a fascist theme; the idea that the countries people stick together, the rest if the population are not superior. Fascism leads to totalitarianism
How does the film use characters differently to a typical Hollywood film?
The film, V for Vendetta uses characters, such as stock characters differently compared to a typical Hollywood film. For example, above I have listed all of the stock characters that I believe VforV includes, however it does not necessarily use these stock characters directly and stereotypically like the usual Hollywood film. Many of these stock characters above apply to V and Evie alone. This is because there is no clear definition of a hero/villain/stereotypical stock character in this film.
The majority of the characters can fit into more than one stock character type. However, for example, Evie's character develops throughout the film, which also means she can fit into many different stock character categories.
In a typical Hollywood film, it is clear who is the character the audience should emotionally connect with, and who is the villain. However, in this film it is unclear. To the audience it is unclear whether V is a terrorist/villain and whether the audience should be on the government's side. Why do you think this is in relation to getting the film's message across?
One of the messages of the film is warning you to not lose your voice/freedom of speech, and to not just believe what you are told. A Hollywood film is not necessarily accurate to the audience lives in reality. In reality it is not clear who is the hero and who is the villain; a terrorist in Afghanistan may be a terrorist in one man's eyes, but a freedom fighter in another man's eyes. The fact that the film V for Vendetta does not portray clearly divided stock character types, makes the film closer to home, and more like a real life event, that is possible to occur.
Although the film is set in the future, it is only set 10 years ahead from now. There is not much extremism in the film like hoverboards and eating dinner from a single pill. This therefore helps to portray the message of the film even more as the film is set in a world like the one the audience lives in; conveying that this is possible.
The film could fit into 3 genres so that the market is more broad and the audience will increase. The main target it males. The genre they target at is males as women are usually the victim, therefore this genre will appeal more to the male. It is shot intentionally for a male audience (the male gaze). The main characters would most likely be someone for the audience to identify with, including an asesthetically pleasing female. Evie overcomes her fear, the person who helps her do this is V. (Who is essentially a terrorist. This role is usually the antagonist however he could be seen as a hero. ) We see Evie weak at the beginning (almost being raped) however she develops into a powerful character (blowing up; becoming a terrorist). The hero therefore could be Evie.
Why is it sci fi?
Usually sci fi includes aliens. It is realist, something that could happen. The world that exists it not completely unrealistic I comparison to the current day.
Facist government, the police dressed in solider, nazi based uniforms. However it is set in England. Set 10 years into the future. Not much has changed except the government. This film gives you a negative, dystopia theme. It is not a stereotypical sci fi film as it abandons the conventions of a typical sci fi film; alien etc. The realism shows you that it could happen.
Therefore it is a sci fi film however it is not a conventional (normal) sci if film.
Messages: are we on the way towards this. Too much control etc, all branded as a terrorist.
Conventions are the way you tell a film.
Tested on by a science group. Explosion; coming out of it burnt etc. he gets shot several times at the end, he had been experimented on, mutant, does this prove that he is a superhero? This could mean that it is a sci fi film. People who disagree with the government, immigrants, criminals / activists, disabled, homosexuals; "Muslims, immigrants, homosexuals" Stephen fry killed when they find out he is gay. These people are experimented on; fascist, nazi themes.
What makes the film a thriller?
A thriller has an exciting plot, involving crime, and empennage (spying/ secretive). Usually in a thriller there is someone who is clearly definable as the hero or good, honest person. For example, a detective, who goes through an investigation to find out or resolve the ending. Trying to catch V. We find out V's past when the detective does. This means that it is also portrayed through the detectives point of view as well as Evie. This contributes to the film being a thriller as it makes you think, apply it to your own circumstances. You never truly know who V is.
Who is V? Mystery and twists
Who is behind the mask; we never ind out although we know his past. V is someone who does not agree with the government as he was put into the camp to be experimented on; the man on the tv identifies what he hates at the beginning.
Why does V have a Vendetta. We find out V's backstory as to why this is.
The narrative shows how the government take over; they began to gassed places covertly and said that they could cure this and that the criminals, homosexuals and terrorists did this. They gave a place a virus; offering a solution. However it was them all along. The public gave up their freedom to the government. This film is playing on conspiracy theories. People do not believe their governments. Freedom vs. protection. "A society that sacrifices their freedom for their protection wil hve neither.
Is it action?
A level of entertainment which takes away from the realism.
No definable good or bad characters ; another twist.
The film is laid to rest when the Houses if Parliment are blown up, the symbol of the government.
After the explosion of the Old Bailey. The scene is mainly shot at this angle. Here, a close up of a man's face is projected onto a large, dominating screen. Although the rest of the room is dark, the audience is aware that there is five other men present in the room. Throughout the scene this man is directing and giving orders to the men, although he asks several questions it is clear that he holds the most control due to his replies and reactions. By just analysing this shot, it is very clear who has the most control over the scene and situation. The projected close up of the man's face is the dominating object in this scene due to its size. (Usually, an audience will emotionally connection with the character in the close up). This projection takes up nearly the whole width of the screen. At a glance, it is not clear that there are five men sitting, looking and obeying this man. This portrays the five men's irrelevance and insignificance in comparison to the larger, projected man on the screen.
We are then shown this shot. This is a point of view shot from the projected man on screen. The camera angle used is a high angle shot, this portrays further the two men's lack of importance and the projected man's power and control. We understand that these men are the 'underdogs' as the angle portrays their low hierarchy, as we also known that it is a point of view shot, it portrays the man looking down on the two men, as if looking down on their response to the conversation as unimportant.
Here, the audience can see all five of the men through another low angle, point of view shot. None of the men's facial expressions can be seen clearly in comparison to the previous close up of the projected man's face. This again, highlights the mens insignificance and backs up my previous point.
Define the Genre
Film genres are identifiable types, categories, classifications or groups of films that all incorporate similar techniques or conventions. For example:
content
subject matter
structures
themes
mood
period
plot
settings
recurring icons
stock characters
narrative events
situations
motifs
styles
props
stars
In relation to Mise en Scene, genres usually incorporate similar, reoccurring/predictable elements within MES. This helps the audience to define the film and categorise it into a particular genre. For example; horror films may use stereotypical dark/dim lighting in a old or abandoned looking setting/location. The colour tone used in the genre is usually dark, dull colours, this usually helps to portray a 'lonely' atmosphere and create tension. There are also reoccurring props used in horror films, these could be for example a weapon of some sort, depending on the setting/location and era, the prop may vary. Often, horror films incorporate a minimal amount of props to create the feeling of suspense and loneliness, and to also make the audience focus on the narrative and characters. Blocking may also be used to portray to the audience what is unknown to the character, but something we as the audience can see. Blocking also provides hierarchy and dominance.
Define the Style
German Expressionism
It lead the world in productions, dealing with the supernatural; sci fi and monsters.
Began when moviemaking was peaking
Known as an important milestone in film
Movie making used more in studio productions to get more control over setting / artistic properties
Symbolism and claustrophobic atmosphere were popular in German Expressionism
Movies were no longer always happy or realistic
A popular film that explores German Expressionism is METROPOLIS ; one of the earliest versions of horror films
The style of the film and it's messages:
Physcologically mysterious
Express a different view point on things like life
Usually stressful and unstable
Sets are usually assymetrical with silhouettes and shadows being an important part
After ww1 people embraced the artistic style of German Expressionism
As there was little budget to invest into film, this resulted in nonrealistic sets
German Expressionism made a huge impact on how we control lights and scenery
Narrative: the way the story has been told; evolution of man; Darwin Sub-text: underlying ideas; messages and meaning
You get all of the above by analysing the film text; mise en scene, cinematography (one shot could have all of the meaning), blocking etc
What meaning was cinematography creating?/What is the meaning of the way it has been shot?
Apes hiding from something
The camera filmed the ape with power as it was shot from below him, this portrayed his gaining of power and dominance. - (Low angles used). Could portray man learning to kill and hunt using tools (the gorilla killing with a bone).
The bone is thrown in the air, and travels through space, the camera follows this. This shows human progress throughout millions of years of evolution, into one cut. The bone and the spaceship have the same shape and overlap, this is called a graphic match. Central/middle framing on the main gorilla.
The close up on the gorilla connects the audience to the character.
The black wall/door is positioned in the centre of the frame. The gorilla's all touched this, could this have made them evolve? Black symbolises mystery. The sun sits over the top of the door/wall; low angle shot that places the sun in the centre of the screen. It is constantly referenced and in tact with the sky. Could this have come from space/the sky? The low angle shot of the wall/door takes the eye to the sun, which is the centre shot. Could this portray the destiny/the future OR could it portray the past/how it came about? There must be a reason for this, could this be aliens?
What ideas are being communicated?
We are now suppose to be looking out for unusual shots. This black door/wall comes from space, which helps apes evolve into human evolution. This could come from space, which humans eventually go back to (last shot into space).
This could also be an interpretation that this came from God, the low angle sun shot could portray an act of God; however this contradicts the ideology man's evolution to Christian God.
-Women are viewed as weak, vulnerable and eye candy for the film.
-Alfred Hitchcock's Psycho 'Shower Scene' is a perfect example of the male gaze and voyeurism
We see Norman Bates spying on the woman in the shower through the peep hole.
When she goes into the bathroom: this is usually the brightest room, which means the audience can therefore see her body more clearly.
She closes the door, as if to protect her, however we soon find out that this door does not protect her much at all, portraying that women are weak and powerless.
When Marion takes off her clothes, she is portrayed sexually and also in a vulnerable situation.
Because she is nude, we know that there is nothing to protect her.
-The sexual interest of spying on people who are engaged in intimate behaviours
-Undressing/sexual activities
-The voyer does not usually directly relate to the situation
-Unaware of being observed
-Voyeurism may involve a secret photograph or video
-When obsessive, this behaviour can be described as stalking.
-Feminist theory
-Laura Mulvey, 1975
-The audience/viewer is put into a heterosexual perspective
-Dominant male gaze in popular Hollywood films reflects and satisfies the male
-most filmmakers are male, therefore the voyeuristic gaze of the camera is male
